Renowned South African playwright Athol Fugard, celebrated for his groundbreaking work in anti-apartheid theater, has passed away at the age of 92. His longtime collaborator and friend, Dr. John Kani, has paid a heartfelt tribute, reflecting on their decades-long partnership in using theater as a tool for social change.
Kani, an esteemed playwright and actor, recalled meeting Fugard in 1965, during a time of intense political repression in South Africa. Fugard, a white playwright, was an unexpected figure in the militant circles of Black actors fighting apartheid. However, he quickly became an integral part of the Serpent Players, a radical theater group in Port Elizabeth.
Kani, along with fellow actor Winston Ntshona, and Fugard co-wrote the landmark plays Sizwe Banzi Is Dead (1972) and The Island (1973). Both productions highlighted the brutal realities of South Africa’s apartheid pass laws and the oppression of political prisoners—themes that resonated worldwide. The plays were not only performed in South Africa but also gained international recognition, amplifying the voices of those suffering under apartheid.
“Our performances attracted the interest of the Security Police, who monitored us closely and even disrupted our private lives,” Kani said in his tribute. “However, through all these difficult times, Athol stayed with us.”
Fugard’s work was pivotal in shaping protest theater, a movement that used performance to challenge the apartheid regime. Despite the risks, he remained committed to storytelling as a form of resistance, earning respect both at home and abroad.
Reflecting on the loss of Fugard and Ntshona, Kani expressed a deep sense of grief: “Now I feel so alone. My only comfort is the memories of these two giants of South African theater and the struggle for a better life for all.”
Kani described Fugard as a “giant of South African storytelling”, whose works inspired, uplifted, and educated generations. “Athol believed in me and my anger, and I believed in him and his cool temperament,” he wrote, emphasizing their unique creative dynamic.
Fugard leaves behind a lasting legacy in the world of theater, where his works continue to be studied and performed globally.
“Hamba Qhawe lamaQhawe”—Go well, hero among heroes, Kani concluded.